LUCHA AND THE EKEKO
DIRECTOR
Roger Edwards
GENRES
Animation
RUN TIME
8 minutes
COUNTRY
United States
Synopsis
Marisol is a shy, recently orphaned, middle-schooler. Today, with the help of her adoptive mother, Elena, she rummages for items to sell at her school’s fundraiser.
When Marisol stumbles upon a peculiar doll, Elena recognizes it as an Ekeko – the souvenir/gift from an undocumented migrant girl named Lucha. This prompts Elena to recount the colorful story of how Lucha (and her Ekeko) opened her heart … to eventually receive Marisol in adoption.
Roger Edwards
Formally educated as an electrical engineer, Roger Edwards has worked as an engineer and technical writer for several Fortune 500 telecommunications companies after graduating from North Carolina State University. With aspirations (since high school) in the entertainment industry, Roger used his spare time to engage in a variety of creative writing efforts—including screenwriting. His producer preparation has been multifaceted and has included involvement in various phases of theatre and film production—such as assistant directing for community theatre, as well as working as PA, Grip and Sound Recordist on low-budget film/music video productions.
A series of successes followed: Roger’s first teleplay was locally produced for a children’s fantasy drama series (“SPARKS,” WRAL-TV)—which led to a two-year staff writing position. His first short screenplay took the First Place prize in a screenwriting competition. His second short screenplay earned him a Finalist nod in the ABC Entertainment/Walt Disney Studios Talent Development Program. His first feature screenplay was quickly optioned. And his TV spec for the “2 BROKE GIRLS” sitcom nabbed Finalist in the Filmmatic Comedy Screenplay Awards.
These successes prompted Roger to take his passion to the next level and enroll in the Hollywood Film Institute’s Film Producing Program and to later enroll in the USC School of Cinema-Television MBA program. Unfortunately, he had to give up his seat in the prestigious program to address an urgent family matter—requiring his personal involvement and financial assistance. Although, putting family first meant missing that “door of opportunity,” he decided to form his own company (Cool Breeze Communications)—for prying those “doors of opportunity” back open again.